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Park Road Post Colorist and Head of Picture Dave Hollingsworth explains the benefits of working with the Dolby 4200 (now 4220) the current ‘Rolls-Royce’ of grading monitors. Their workflow requires precise color rendition in both Rec709 and P3 Cinema colorspaces in all their theatre mastering suites.

I was fortunate to spend a good few days at their facility on visit to New Zealand a few years ago; great team of talented people and amazingly well equipped studio.

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