To share this post via social...


Latest posts...



Park Road Post Colorist and Head of Picture Dave Hollingsworth explains the benefits of working with the Dolby 4200 (now 4220) the current ‘Rolls-Royce’ of grading monitors. Their workflow requires precise color rendition in both Rec709 and P3 Cinema colorspaces in all their theatre mastering suites.

I was fortunate to spend a good few days at their facility on visit to New Zealand a few years ago; great team of talented people and amazingly well equipped studio.